"Eliot's Waste Land"

Thomas Sterns Eliot, better whopn as T. S. Eliot, is considered to be unity of the closely realistic American poets of this time. However, his life was not as triumphal as the rest of the country during this time. The pressures of uncongenial work, the telephone line of his central office life and the need to hide his sorrow brought on a nervous breakdown. In 1922, while recover in a Swiss spa, Eliot began to write one of his eight-day and most locomote poems, The Waste Land. The Waste Land comes in five parts, scratch with The Burial of the Dead, a tell taken from the Anglican funeral ceremony. The resourcefulness of part one evokes a person, a civilization, numbed, distressed. Coherence and pith have gone out of the world, as a portentous voice with an Old Testament speech sound announces: Son of man . . .you know only / a hatful of broken images, where the fair weather beats, / and the dead tree gives no shelter (l. 20-23). To convey a vague menace, and recrea te the furor for spiritualism, Eliot introduces Madame Sosostris, famous clairvoyante, with her wicked aim of Tarot cards (l. 43-46). Eliot calls classify Two A gritty of Chess, a metaphor for familiar maneuvering. Eliot gives us a pampered womanhood, immersed in anything that could arouse the senses.

This passage shifts dead into Eliots forte, a dramatic parley giving us the real measure of the jaded woman: My nerves are drear to-night. Yes, bad. Stay with me. Speak to me. Why do you never express? Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think. (Eliot l. 111-114) This painful vision of humanity m! ove up in lust continues in Part Three, The awaken Sermon, which takes its name from the preachment of... If you want to get a wide-eyed essay, outrank it on our website: OrderCustomPaper.com

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