Fashion Children Family

Fashion Children FamilyFashion victims? Children and exercise when bearinging at families and family life today, sociologists often push away some key family memberschildren. An important newly study has begun to feeling at the way children shape their identities through their role as consumers a case, perhaps, of we are what we defile?.Sharon Boden,Christopher Pole,Jane PilcherandTim Edwards. Sociology Review15.1(Sept 2005)p28(4).Full Text COPYRIGHT 2005 Philip Allan Updates Sociologists have long been interested in consumption, that is, how we shop, where our purchasing needs come from, how we treat the products we buy and how consuming shapes break lives. Running alongside the study of the behaviour of consumers is a concern to understand what factors shape the mart and what the cultural intermediaries (television, print media, advertising campaigns) are that promote its observe to us.The rise of the tweenager Consumption studies have largely focuse on adults and have negl ected children as independent, active consumers worthy of study. Children, however, have increasing purchasing power and status as new consumers in what has come to be known as the rise of the tweenager. Taking childrens uniform as a case in point, large-scale surveys, such(prenominal)(prenominal) as those undertaken by Mintel Market Intelligence (2003), confirm that this market is growing strongly (by 5% in 2002 compared with 2001). Retail competition is intense, with both designer trys (e.g. John Rocha, DKNY and Burberry) and e very(prenominal)day low-price retailers (e.g. Matalan, Asda and Tesco) proving to be huge growth sectors.A nonher useful source, www.just behavior.com, reports that in 2003 the UK childrens apparel market was worth 6.02bn pounds sterling, accounting for 18.9% of the UKs total wearing expenditure, with fashion go into rather than traditional childrens wear being the growing sector. This translates on the high street into a shift away from traditional imprisonment such as Adams and Marks Spencer to shops offering trendier, more covetable items (often celebrity copy-cat clothes) such as New Look and George at Asda. Lifestyle brands, such as changeable and Billabong, which produce suif- and skateboard-related clothing, are making their mark as fashionable alternatives to bland, casual clothing lines. These figures show that, far from being absent from fashion consumption, children are very much present and active in driving forward the childrens wear industry.This leads to a situation in which the status of childrenand, indeed, the nature of puerility itselfis unable to be considered a weaken from the highly commercialised and media-saturated society that typifies the industrialised world. Sociological questions therefore need to be raised to understand the nature of consumption for children and how their corresponding new status in the marketplace may alter how they behave and how they are treated as genial actors.Key concept A number of sociological issues are raised and can be analysed through the lens of childrens fashion consumption. These include * companionable inclusion and exclusion within peer relations * changing power dynamics of the family and household * identity reflexion and performance in childhood * the commercialisation of the lifecourse and lifestyles Researching childrens consumption Having highlighted the growing significance of childrens consumption not obviously in economic terms but more broadly in relation to key sociological concepts, we now offer a brief overview of our interrogation project, which aims to provide insight into the link between children and consumption.Funded through the ESRC/AHRB Cultures of Consumption research programme, the study examines the practices and experiences of children in relation to buying clothes. In doing so, we are advancing fellow feeling of the ways in which the home is pe last(a)rated by consumption, especially in relation to the ways in which children and parents act and connect as consumers. We are also adding to the breathing knowledge of the political and cultural importance of children as consuming agents.The key questions guiding this research are * What are the roles of children in choosing and buying their own clothes? How are these roles expressed and how have they changed over time? * In what ways do children engage with the concept of fashion and to what extent does it drive their wants and purchases? * How does fashion consumption alter the parent-child relationship and structure patterns of household consumption? Research methods Our data collection methods were selected to make the child the focus of the study (see also encase 1). We busy a range of participatory, qualitative methods designed to capture how children experience consumption in the context of their families.Box 1 Ethics and research with childrenWhen researching with children, certain honorable issues must be takeninto account.* Av oid seeing the child as an object rather than a subject orsocial person acting in the world in their own right,* Protect the childs interests during the research.* Be attentive to the different experiences and competenciesof the child and the adult researcher.* Establish a safe and effective rapport between researchers andchildren/families, based on trust, with the assurance that datawill be treated sensitively.* Ensure that the aims and objectives of the research aretransparent and beyond question, not solitary(prenominal) at the time of seekingaccess to children but throughout the research process.Source adapted from E Christensen and A. Prout (2002) Working with ethical symmetry in social research with children, Childhood, Vol. 9, no(prenominal) 4The research foc utilise on the consumer behaviour of 15 children, aged between 6 and 15, who were located in eight families opening across England. They were visited five times by a member of the research team. Specifically, activit ies undertaken with these children during such visits included * unstructured discussions covering a wide range of topics, including shop for clothes, trying to negotiate purchases with parents, imitating the take cares of pop stars and sports stars, and keeping up with the latest fashion trends * write and draw project-based work in which children were habituated the opportunity to express creatively their clothing sames and dislikes * a wardrobe audit, in which children actively presented their clothes to the researcher and explained to them both the processes leading up to the purchase and how/if the garment was being worn * photographychildren were given disposable cameras to record any new clothing purchases and to depict any aspect of fashion that was important to them Besides these child-centred research methods, the researchers observed relevant family activities, such as shopping trips and browsing through clothing catalogues. We conducted interviews with mothers based o n the diaries they had been completing during the study, and spoke to a number of people who work in the childrens wear industry and are responsible for producing and promoting the clothes.Clothes, gender and parents concerns The approach outlined above provided us with a large amount of relevant and richly detailed data which will contribute to sociological debate in the areas of consumption, childhood and fashion. Some issues arising from our study include the ways in which children and their parents use clothing in the construction and embodied expression of gendered identities. Here, using our varying sources of data, we have been looking at childrens displays of femininity or masculinity, how children relate to their age and the process of growing up, and how these things can be viewed in either a positive or a negative light.Perhaps the most substantive issue to arise in this respect is how parents label some girls clothes as too provocative, Items such as bras, thongs, low-cu t tops, miniskirts, skimpy things, cropped tops, really short clothes have all been identified by parents as unlike clothing for children. Parents consider them inappropriate because they encourage children to be looked at and thought of in a sexualised way.In the focus groups we held with parents (which formed part of the process of family selection for the year-long study) mention was made by them of paedophiles, weirdos and the wrong sort of people giving the wrong sort of attention to children who dress in the sorts of items listed above. Items such as high heels, which are thought to accentuate the female figure, were frowned upon. A related problem identified by parents is that the styling of girls clothes has been changing over novel years to mimic that of adultsmini-mums outfits was the phrase used by one mother.Children clothes and identify construction The issue of clothes in relation to modesty and reputability was significant for the girls themselves. They expressed wo rries about wearing clothes that exposed too much bare skin or that appeared too old for themformulating clothing-personality associations the wearing of an inappropriate garment might reflect a side of their personality they wanted to disguise or were net yet at ease with. More broadly, this demonstrates how natural culture can be a narrative resource in childrens expressions children speak about clothes in ways that (they feel) illuminate their identities. Childrens accounts of their preferences and their use of clothing have, in turn, shed light upon issues such as taste and style, and the importance of fashion to image, lifestyle and belonging to either gender.Unlike girls fashions, boys fashions seem consistent, unthreatening and net so overtly gendered as their female counterparts. Other gender-based issues to emerge from our study include * the differences in clothing design, including fabric, colour and styling, which culturally demarcate girls and boys in newfangled consu mer cultures * the faster physical discipline of girls and the related problems of sizing * the adoption of same-sex role models and fashion icons * the significance attached to label culture and branded sportswear two boys and girls, it seems, have the capacity to discriminate in relation to clothing quality and style from an early age and, in the course of the study, they offered independent appraisals and critiques of the fashion marketplace and of particular labels. They drew attention to the potential social dangers of purchasing poor-quality, unfashionable or inappropriate clothing. In the interview in Box 2, the Nike brand is used to influence the teenager Josephs perceived popularity and to wrap a protective veil over his physical body that deflects attention to the commodity of the sign (in this case, the well-known Nike swoosh).Box 2 Constructing styleJoseph (aged 15) used Nike style to encourage others togaze upon, envy and copy his look, encouraging in his peersa type of conspicuous consumption of himself. His comments wear a self-reflexive sense of pride and achievement inconstructing a stylish appearance.Researcher What do you mean by looking flashy?Joseph Youve got good style clothes and, you know, shinylike this looks cool. Ive got an outfit upstairs whichis I call it flasher, Ill show you that if you want.Researcher Yeah?Joseph Yeah, like that. Peoplewhen youre walking about thestreettheyd look at you and go, Oh, look at thatResearcher You would like that? You like that sort of thing?Joseph Yeah. When I was wearing that coat yesterday, everyonewas doing that. So that was a good vibe. previous(predicate) analysis suggests a link between the perceived social significance of labels and clothing type and the processes of growing up. Some children come to reject former signifiers of their childhood in an attempt to age up into a more teenage style. For boys, a greater symbolic value seems to attach to constructing a cool image through wearing sports and surf/skate clothes.For girls, this has taken the form of turning against Barbie and other labels perceived as childish (see Box 3).Box 3 number against BarbieThe following interview from the Leicester research is anexample of a 7-year-old female from a rural village turningagainst Barbie (a brand of clothing and accessories which isan offshoot from the Barbie doll) as proofread of no longer beinga little girl. Megan is pushing away and rejecting a formersignifier of her childhood in an attempt to age up into amore teenage style.Researcher Have you got Anything with Disney on or Barbie?Megan No, no no Definitely net BarbieResearcher You dont like Barbie?Megans mother No. She used to.Researcher Why dont you like Barbie?Megans brother William, aged 9 She used to have this topwith Barbie on.Megan Shes too little for me.Researcher But you used to like her. Maybe shes okay forlittle girls?Megans mother Yeah, I think I would say a year ago shestopped. Se everything that has B arbie on Megan doesnt like.Researcher Weve got a few sporty tops here, like these fleeces.Megans mother Yeah, that one has got Boston on. Thats hadsome wear.Megan Well, I think thats quite sporty and this one I like. conclusion The relationship of children to fashion consumption throws up a fascinating range of sociological issues, from the changing power relations between children, their peers, their parents and the marketplace, to the use-value (to keep warm and dry) and sign-value (to look good) of clothes for childrens identity construction. The ever expanding opportunities and invitations of consumer culture are negotiated by children as part and parcel of everyday life.There are, to be sure, many paths open to social researchers wanting to develop an understanding of how contemporary consumer culture operates. In this article, we have presented an overview of out own study, which prioritises childrens experiences of consuming clothes. The study has already given many fire ins ights into the nature, processes and consequences of consumption for children and childhood.Signposts There is relatively little material available to students on the sociology of childhood, so this will be a welcome addition. The authors look at a particular and relatively new aspect of childhoodchildren as consumers. The material provides useful information for discussions on the role of children in the family, the power of the mass media and marketing organisations, the development of gender roles and ideas of self, as well as highlighting issues about the considerable gap between the better-off and the poor and marginalised groups of society.There are political issues as well, not least concerns over the trend to make ever younger children, particularly girls, adopt semi-adult styles of dress and become conscious of body image. If, as the postmodernists suggest, society is progressively concerned with style and outward appearances, this article shows that even some of the young est members of society are affected.Some of the research methods outlined in the article could be adopt as the basis for interesting coursework, although students taking this route should be aware of the ethical issues of using young children as subjects and should discuss their ideas with their teachers before embarking on their research. fiber and further reading Boden, S., Pole, C., Pilcher, J. and Edwards, T. (2004) New consumers? The social and cultural significance of childrens fashion consumption, ESRC Cultures of Consumption Working Paper Series, www.consume.bbk.ac.uk Featherstone, M. (1991) Consumer Culture and Postmodernism, Sage.Gunter, B. and Furnham, A. (1998) Children as Consumers, Routledge.Martens, L., Southerton, D. and Scott, S. (2004) Bringing children (and parents) into the sociology of consumption, Journal of Consumer Culture, Vol. 4, No. 2, pp. 155-182.Russell, R. and Tyler, M. (2002) Thank heaven for little girls, Sociology, Vol. 36, pp. 619-637.The authors i nvolved in this research project are all based in the Sociology Department at the University of Leicester.